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Ceuta Eclipse

Guide to the total solar eclipse of 2 August 2027 in Ceuta.

Photographing the eclipse in Ceuta: gear, settings and what not to do

A practical guide to photographing the total solar eclipse of 2 August 2027 from Ceuta without frying your sensor or missing totality.

If this is your first total eclipse, do not photograph it

This is the unanimous advice of people who have seen several. You have 4 min 48 s and they vanish while you fight with the camera. Set a phone recording on wide angle, forget about it, and watch.

Partial phase: filter mandatory

Throughout the partial phase you need a solar filter in front of the lens, not behind it. Without one you will burn the sensor and, with an optical viewfinder, your eye. With a filter, a reasonable starting point is ISO 100, f/8, adjusting shutter speed until the disc is well exposed; every filter differs, so test on the ordinary Sun days beforehand.

Totality: filter off

  • Remove the filter the moment the last sliver of Sun disappears, and replace it before it returns.
  • The corona has an enormous dynamic range: bracket widely, from 1/1000 s to 1 s at f/8 and ISO 400, and blend afterwards.
  • Focus at infinity manually and tape it down. Autofocus fails against a dark sky.
  • Tripod and remote release or timer. At long focal lengths any vibration shows.
  • Turn off image review on screen: it steals seconds and wrecks your dark adaptation.

With a phone

Modern phones give respectable results during totality if you steady them. Digital zoom at the Sun does not work. What does work, and almost nobody does, is the opposite: a wide angle capturing the landscape of Ceuta under the light of totality, with the horizon glowing in 360° and people looking up. That is a photograph you can take and no stock library has.

What is genuinely worth preparing

  • A time-lapse of the landscape as the light collapses.
  • Recording the sound: the birds falling silent and the crowd shouting as totality begins.
  • The shadows on the ground during the partial phase: hundreds of crescent Suns under the trees.
  • Rehearsing the whole sequence on an ordinary afternoon with the real Sun. There is no second take on the day.